design-ideas-for-cosy-winter-bedrooms
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Design ideas for cosy winter bedrooms

Winter is near – the air is crisper, the sun sets earlier and the jumpers stashed in the back of your closet make their annual appearance. To escape the chill of the months ahead, too, you will probably find yourself staying indoors and curling up in bed with a mug of hot chocolate and a good, long book. Because of this, it is vital to transform your bedroom into a winter oasis, full of warmth, cheer and relaxation. We’ve rounded up the best design ideas from the H&G archive to cosify your bedroom for winter. Consider ambient lighting While great lighting is crucial any time of year, in winter, it is perhaps in winter when great lighting is truly essential. The winter months bring with them long, dark nights and afternoon sunsets, which can be jarring. In your bedroom, especially, creating a beautiful lighting scheme with ambient lighting (think floor lamps, candles and glowy fairy lights, and, designers’ favourites, candle sconces) maximises the room’s cosiness and turns it into a true retreat from the cold, pitch-black outdoors. Additionally, for those especially affected by those 4.30 sunsets, investing in a ‘SAD’ (Seasonal Affective Disorder) lamp – which mimics sunlight – may be worthwhile. Wrap up in blankets Ollie Tomlinson Is there anything better than bundling up in a gigantic, oh-so-soft blanket? Fuzzy blankets and cashmere throws are crucial to amping up the cosiness of a winter bedroom. Quilts and eiderdowns are also having a moment, and this throwback to our grandparents’ decorating style feels particularly welcome in a difficult winter. Investing in high-quality textiles, too, adds to the decor of your room and adds a touch of sumptuous elegance to staying warm. Welsh blankets are one of our favourite styles; their traditional styles can bring much-needed colour and texture to a bedroom. As for bedding, consider a brushed cotton set of sheets for added warmth. Jan Baldwin Feel the glow of candles While you now know that great ambient lighting is essential for a winter bedroom, candles, too, are just as important. Candles give off warmth, add glow and, should you opt for those of the scented variety, engulf your bedroom in your favourite smells. Consider candles whose scents are reminiscent of winter: cinnamons, pine tree or citrus scents are perfect. The spare room in shop-owner Alastair Hendy’s restored Tudor home has beds under the sloped roof, creating a perfectly cosy small bedroom, lit by the light of a single candle. Paul Massey Warm up your room with a great paint colour Interior designer Philip Hooper’s masterful blend of the classic and contemporary has given this late-Regency house in Hampshire a greater sense of harmony and dignity. The walls in the main bedroom are covered in ‘Strie’, a linen-silk blend from George Spencer Designs. Michael Sinclair For those seeking to winter-proof their bedroom to the fullest extent, re-painting a bedroom is the perfect next step. Paint colour adds warmth to your bedroom’s palette, transforming your room into a warm safe haven. Certain colours (think beiges, creams or paints with sateen-y finishes) better help to reflect light – so important during those dark winter days, whereas other colours, such as darker greens or blues, can make a room feel more intimate. Wallpaper, too, can add cheerful personality to the bedroom. Make your bed more inviting Studio Squire designed a contemporary bed tester for the primary bedroom of this cottage, using fabrics from Guy Goodfellow, Marvic and Claremont. The velvet bed throw is from Toast. Christopher Horwood Spending so much time indoors can make anyone develop cabin fever. Beat it by kitting out your bed for winter. Choose embroidered throw pillows with festive, winter themes to add to your holiday spirit. Adding extra cushions and making extra space for books on your nightstand are two simple steps to creating a cosy reading nook on your bed; for morning people, by laying down a fluffy rug at the side of your bed grounds your room and ensures a great, soft start to your morning. At The Fife Arms in Braemar, Scotland, this bedroom known as ‘The Artist’s Studio’ draws on the decorative style at Charleston in East Sussex. Benjamin Edwards In this London project by Veere Grenney, the bed has curtains in ‘Blenheim’ by Michael Smith. Woodwork in a deep, olive green and brass finishes make the space feel luxurious and cosy. Mark Anthony Fox If you have a four-poster bed, or are considering buying one, drape it in fabric to create an enveloping place to sleep. We love tartans and plaids at this time of year; their woollen texture is perfect for chilly nights. For a small bedroom, the box bed has to be the most attractive thing on a winter evening; these charming nooks where you can draw the curtains and hide away are exactly where we’d want to be when the temperature drops.

why-do-we-associate-red-and-green-with-christmas-and-is-it-time-to-branch-out?
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Why do we associate red and green with Christmas and is it time to branch out?

As December approaches, red and green take centre stage in shop windows, homes, and festive advertising. The roots of Christmas’s red and green palette are a mix of ancient tradition, nature’s seasonal palette, and a touch of early modern advertising genius. The colours, which sit directly opposite each other on the colour wheel and are therefore complementary, can be traced back to pagan winter festivals, where evergreen holly with its scarlet berries was a symbol of life and resilience, providing a lush green backdrop in an otherwise barren winter landscape. Ancient Romans decorated their homes with these hardy plants during Saturnalia, a festival of feasting and merriment marking the solstice, which later merged with early Christmas celebrations. In Christianity, red took on a sacred symbolism, representing both the blood of Christ and the love that underscored the nativity story. Paintings of the Virgin Mary often depicted her in red robes, a colour that eventually found its way into festive decorations to honour the Christmas season. The combination of red and green endured throughout the centuries, mingling and merging with folklore and spirituality until it felt deeply rooted in the holiday spirit. However, the clinching moment for red and green as Christmas colours was less ethereal and more commercial. In 1931, Coca-Cola’s advertising campaign, featuring a plump, jolly Santa in a vivid red suit (a shade closely aligned with the brand’s own red), solidified the colour pairing in popular culture. Before Coca-Cola, Santa Claus was depicted in a variety of colours, including tan, green, blue, and brown. He was also sometimes drawn in patriotic stars and stripes during the Civil War. The campaign’s success gave red and green a fresh relevance, and – as is the power of commercial advertising and messaging – permanently embedded these colours as the colours of Christmas in the public imagination. Yet, as with many traditions, even the most enduring ones can benefit from a little updating. Besides, red and green are not the globally accepted Christmas colour language: in Norway, purple is much more associated with Christmas (because of its association with royalty, and many associate it with the ‘King of Kings’, Jesus) and in Sweden you’ll find red, white and gold adorning the trees and presents. This year’s interiors often favour palettes far removed from the traditional primary versions of red and green, with colour experts identifying gentle terracottas and biscuit tones as the hues to know right now. Whilst red and green can feel very festive, red in its most primary form has been shown to increase your heart rate and create stress, so it makes sense to move towards something more gentle and calming. But if we’re attempting to slip through the traditional clutches of red and green, what are we moving towards? Teal, aqua and orange ALL RIGHTS RESERVED Offering a fresh take on the traditional Christmas colour scheme, House & Garden ‘s Decoration Editor Rémy Mishon whipped up a wonderfully inventive and whimsical take on the red and green regime, offering shades of teal, aqua and orange as this year’s alternative. After all, if you edge slightly along the colour wheel from green, you’ll find yourself at turquoise. Directly opposite the bluey-green shade is just the kind of burnt orange hues that Rémy recommends. So, despite veering away from tradition, Rémy’s palette still maintains familiarity by keeping it in the family of red and green, as well as ensuring significant contrast between her two main tones. “I had some pictures saved from a Rubelli and Formafantasma collection which looked particularly nice clustered together in my photo library,” explains Rémy, “there were apricots, a light pink, strong oranges and a zingy green which I thought would make a pretty, but off beat base for a scheme.” She then came across The Perfect Nothing Catalogue’s pieces of ordinary household items incrusted in semi-precious stones: “I thought the two were a good marriage with the stones complimenting the scheme whilst also not being too delicate. I added a deep green into the mix to further toughen it up and make it more wintery. I thought the combination had something quite magical and fairytale about it, fitting for Christmas, though maybe more Brothers Grimm than Disney.” Brown and gingerbread Nobody could have predicted quite the scale of brown’s return to favour, both in clothing and interior decoration terms. We’ve seen plenty of glossy brown front doors and stairways that would take well to being adorned with branches, pine cones and other neutral foliage. The oak-panelled walls and large mahogany table in the show-stopping entrance of Ven in Somerset means brown accessories make sense in this environment. The owners used russet-coloured strands of leaves instead of garish tinsel to create a natural, warm palette that fills the room with an opulence that still feels organic. At this former rectory in the West Country, foraged Christmas decorations and salvaged materials enhance the sense of a house that has been made suitable for modern family life, while retaining its Victorian character. At Christmas, the family gathers pine cones and branches of old man’s beard to decorate this room at the front of the house, which has walls painted in Farrow & Ball’s ‘Setting Plaster’, a sandy pink colour that complements browns very well. 1980s maximalist rainbow Paper decorations can make any room feel festive, and don’t reject streamers for being too naff. Bright and cheerful, they’re an